In an age of modern anatomy atlases and freely available online body-browsers, Leonardo da Vinci's drawings of organs and body parts done with quill, ink and red chalk may strike us as aesthetically pleasing, yet antiquated. Nevertheless, almost everyone in Germany carries a reproduction of his famous Vitruvian Man with them – on their health insurance card. Alessandro Nova, Director at the Kunsthistorisches Institut in Florenz, on the other hand, explores Leonardo's work in the light of the scientific knowledge it generates.
* This article was originally published here
